Calling the Night bronze sculpture by Scott Rogers, featuring a Native American musician playing a flute beneath a soaring eagle, capturing themes of spirituality, music, wildlife, and the sacred connection between humanity and nature in Native American culture.

Calling the Night

Specifications:
39"H x 21"W x 16"D
Edition of 30

Price:
$10,000

Scott’s Piece Description

The Native American has often been attributed with the ability to hold special relationships with animals. During vision quests (the search for the motivating power of existence), many Indians were befriended by animals that were to hold sacred powers for them throughout their lives (i.e. bear, owl, wolf, eagle, buffalo, hawk).

One Cheyenne medicine man took the name of ‘Owl’. The renowned Blackfoot warrior and medicine man, Weasel Head, took to wearing owl feathers on a weasel headband due to a dream he’d had as a youth. Pawnee Indians placed owl feathers on their lances to represent the North Star (which watched over their camp at night).

The owl, a bird that captures its prey, represents courage and the speed needed for success in warfare and were always prayed to in this wise.

To many Native Americans, the owl was a messenger. It is said that many Indians have spoken to and received messages from owls. Messages that foretold of coming events, led hunters to game, advised of danger and recommended courses of action. The owl’s night wisdom and gentle ways were used as examples to teach the youth. It should be noted that one tribe (i.e. Kiowa) feared the owl.

Curator Review

Calling the Night captures a moment where sound, spirit, and instinct converge. In this expressive composition, Scott Rogers unites the figure and owl through a shared upward movement—the lifted flute and outstretched wings creating a visual echo that draws the eye skyward.

The interplay between stillness and motion is striking. The seated figure remains grounded, yet the gesture of music suggests communication beyond the physical world. Above, the owl emerges not merely as a companion, but as a presence—alert, watchful, and responsive.

Rogers’ textured surfaces and organic forms blur the boundary between man and nature, reinforcing a sense of connection rather than separation. The piece becomes less about depiction and more about relationship—a quiet dialogue carried on the edge of night, where meaning is felt as much as it is seen.

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