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Bronze sculpture of a Native American painting a drum

Cheyenne Drum Painter (small)

Specifications:
12 1/2″H x 9 1/2″W x 11″D
Edition of 30

Price:
$3,800

Scott’s Piece Description

This simple act of painting a drum could easily be described as a subtle, non-descript act. It was in a myriad of simple acts that the Great Plains Indians lived. Their medicine, power, and connection to ‘The Great Spirit’ was seen to live in a host of objects. One of these was the drum.

Did you know that most Indians would not purposely go to war, make council, get married, hunt, perform healings or ‘paint their drums’ until ceremonies surrounding each ‘event ‘were complete. To do otherwise was considered ‘bad medicine’. It is recorded history that Roman Nose, the great Cheyenne warrior, knew he was going to his death (and voiced it) because he was headed into battle without properly cleansing himself prior to battle. His utterance was prophetic.

I ask myself…”How often do I proceed into a venture, trip, relationship, meal, daily living without having first prepared myself mentally, emotionally, physically, spiritually – to fly by the seat of my pants – to wing it and ending up with the same-o-same-o?” Too often I must admit.

What would life be like – to be at peace – to live with a ‘knowing’ that ‘all is well’ – for I AM WHOLE to proceed.

Curator Review

In Cheyenne Drum Painter, Scott Rogers captures a rare and reverent stillness — a moment of spiritual preparation, not for spectacle, but for alignment with the sacred. This bronze figure, crouched low to the earth, is immersed in the deliberate act of painting a drum. The gesture may appear simple, yet in Cheyenne tradition, it holds deep ceremonial significance. The drum itself is more than an object; it is a living voice, a spiritual conduit between man, nature, and the Great Spirit.

Rogers’ use of texture here is particularly expressive. The raw, layered surface of the bronze echoes the natural world that shapes this man’s identity. His hair is adorned with feathers and leaves; his limbs are bound with tokens of medicine and meaning. These choices ground the sculpture not in modern interpretation but in historical reverence. The crow atop his head — a subtle but powerful detail — calls to the spiritual connection between animal guides and human intention.

The downward gaze, the poised brush, the careful hold of the drum — all direct the viewer’s eye inward, into a moment of contemplative ritual. Rogers invites us to pause with the figure, to consider our own approach to intention and preparation. Like Roman Nose, the famed Cheyenne warrior mentioned in the artist’s note, we are reminded that action without alignment may come at a cost. Through this sculpture, Rogers honors the integrity of ceremony — and the quiet power of acting with spiritual readiness.

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