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Bronze Sculpture of a Native American squatting on a rock

Chiricahua Apache

Specifications:
23″H x 12 1/2″W x 14″D
Edition of 30

Price:
$7,600

Scott’s Piece Description

Famed for their fierceness in battle and resourcefulness in evading capture the Chiricahua Apache dwelt among the Sierra Madre Mountains in southeast Arizona. In describing the military’s efforts, one soldier said, “We chase the wind and shoot at shadows”. Led by chief Niech, and medicine man, Geronimo, the Chiricahua were one of the last Indian tribes to lay down their weapons of war. On September 4, 1887 the Chiricahua surrendered to General Nelson A. Miles.

  • The rifle is a 45-70, a common firearm acquired among the Chiricahua.
  • For war paint, the Chiricahua placed a solitary white stripe across the bridge of the nose.
  • Turned up moccasins were characteristic of Chiricahua footwear.

Curator Review

The Chiricahua Apache were among the most elusive and formidable Indigenous groups in the American Southwest. Living in the rugged Sierra Madre and surrounding highlands, they developed a deep knowledge of the land — knowledge that made them highly effective in resisting military pursuit. Their leaders, including the famed Geronimo and Chief Naiche, held off U.S. forces for years, making the Chiricahua one of the last tribes to surrender during the Indian Wars.

Scott Rogers captures the essence of that legacy in Chiricahua Apache, not through overt action, but through restraint and readiness. The figure crouches low, rifle at the ready, eyes scanning the horizon. The body language conveys watchfulness — a man not just surviving, but outmaneuvering.

Design elements echo cultural details: turned-up moccasins, bandolier, and long braids speak to Chiricahua identity, while the solitary white war stripe across the nose (mentioned in the artist’s notes) was a signature of their battle preparation. Rogers’ rugged texturing enhances the harmony between figure and terrain, suggesting that this man is of the land as much as on it.

This sculpture is not only an artistic achievement in form and silhouette — it is a respectful homage to a people who refused to be erased.

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