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sculpture of a Native American holding a feather in the air in prayer

Crow Shaman Monument

Specifications:
94″H 48″W 54″D
Edition of 8
SOLD OUT

Scott’s Piece Description

He’s prepared a fire, blessed the sage and cleansed his mind through fasting. This “Crow Shaman” has created an atmosphere conducive to receiving inspiration. He’s wearing an eagle feather headdress that’s been passed down for generations. Even though it has been repaired numerous times, it’s held as invaluable for use in ceremonies. Often there would be a small fire in which to place herbs or sage. With his eagle feather fan he wafts smoke up and about. He calls out to the Great Spirit for guidance.

Spirituality is a personal thing. Even when in the presence of others, it is experienced “within”…that divine moment when one connects with higher power. I have found that people lean towards acquiring art that depicts a spiritual nature – works that tap into inner realms.

Is there an attempt – through prayer – to connect with Deity. What if we sought that divine connection when we dealt with our fellowman? Could a business transaction be a form of prayer? Is it possible that “How I treat my fellowman is a reflection of my relationship with God?”

Curator Review

In this monumental rendering of Crow Shaman, Scott Rogers invites the viewer into a sacred, contemplative space. The towering scale transforms the act of private communion into a public moment of awe. Every element—down to the tension in the shaman’s raised arm and the age-worn elegance of his feathered headdress—amplifies the stillness of a ceremonial gesture.

The composition rises from the earth like a flame, anchored by the grounded pose and then lifting upward through the arm, feather fan, and gaze. The surrounding negative space becomes as much a part of the sculpture as the bronze itself—air and spirit mingling around the form. Rogers’ textured surfaces and expressive modeling speak not only to the physical effort of the sculptor’s hand but to the spiritual labor of the figure himself.

While rooted in Crow tradition, the sculpture transcends specific tribal lines to speak to something universal: the human longing to touch the divine. The viewer need not understand the full ritual to feel the sincerity of the offering.

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