Artwork > All Sculptures, Native Americans > The Chief Celebrates His New Hat (small)
The Chief Celebrates His New Hat (small)
Specifications:
14″H x 9″W x 9″D
Edition of 30
Price:
$3,600
Scott’s Piece Description
How did he happen to come by the top hat? Where did the jacket come from? Were they a gift? Did he trade for these items or were they acquired from an unlucky settler? I love leaving mysteries in my sculptures. Good works of art never answer all your questions. They leave you wanting more.
Here are a few answers: The chief is a Mandan Indian. Men of that tribe often grew their hair ‘til it reached the ground. In the fall, women would take a sticky substance and wrap it around long lengths of individual groupings of hair. The of the pipe bowl is made of Catlinite (commonly referred to as pipestone). This stone was named after the painter George Caitlin. He was the first white man to visit the mine where this stone is quarried. An amazing fact: No single tribe laid claim to this area of stone quarrying. It was held as sacred and allowed access to all for the purpose of acquiring the stone to make bowls for smoke pipes.
Curator Review
This sculpture invites viewers into a moment of story—half told, half imagined. A Mandan chief, adorned in a European-style top hat and tailored jacket, sits poised and contemplative with his pipe in hand. The visual contrast is striking: traditional long braids meet formalwear, prompting an immediate question—how did he come by these items? The artist offers no firm answer, only clues, encouraging viewers to dwell in the ambiguity. Were these gifts? Trade items? Trophies of survival?
The figure’s hair, styled in the Mandan tradition using a resin-like adhesive, cascades with cultural significance. His pipe bowl, carved from sacred Catlinite stone, evokes the historical practice of peaceful gathering—this pipestone quarry held by no single tribe, but respected and shared by many. The blend of indigenous identity and foreign influence, serenity and strength, raises deeper themes: adaptation, resilience, and the dignity of presence amid change.
Rather than define the narrative, this piece asks you to linger with it—to wonder, to feel, and perhaps to see history not just as a record of facts, but as a layered, living conversation.
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