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The Mountain Man by Scott Rogers is a bronze sculpture depicting a french trapper in the early 1800's.

The Mountain Man

Specifications:
17″H x 10″W x 8″D
Edition of 30

Price:
$3,800

Scott’s Piece Description

“Du Lointain”

Ever remember, as a kid, being enthralled from a visitor “from afar”. Was it an uncle who’d traveled the world and came bearing gifts of a strange nature? Or, was it a brother who had lived in far off lands and came with tales of custom, ritual and food that your mind could not make sense of?

How must Native American’s felt when Lewis and Clark passed through in 1804? Never having seen a white man before, let alone their “medicine gun”(an air rifle first used in the Napoleonic wars), blue beads, and iron tomahawks. The first black man to pass through the continent was himself a unique experience. York, the slave of William Clark and an integral part of the Corp of Discovery, entered amongst the Indians and was treated as a visiting deity.

During the mid 1600’s, fur trapping became depleted in the eastern parts of North American. This brought on a migration of French trappers (from Quebec) to head west. These early visitors spent their winters trading and trapping with Native Americans in northern parts of the intercontinental territory.

When a friend of mine saw this piece in clay, he remarked in French, “Du Lointain”. He told me it meant, “From Afar”.

Curator Review

Wrapped in pelts and mystery, The Mountain Man captures the essence of a figure who seemed to stride straight from myth into the rugged frontier. Scott Rogers channels the awe of first encounters—those early moments when cultures clashed or converged. French trappers like this one were among the first white men to enter Native American lands, bringing unfamiliar tools, languages, and customs. Their arrival sparked wonder and confusion alike. The sculpted textures—thick with fur and fringe—suggest not just cold weather but cultural layering. This was a man “from afar,” as Rogers’s French-speaking friend observed. A stranger to the land, yet deeply embedded in it. This sculpture doesn’t just show a mountain man—it asks us to consider how it feels to behold the unfamiliar, and how such moments shape memory, identity, and history.

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