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sculpture of a bathing woman with a bracelet off to the side

The Stolen Bracelet

Specifications:
9″H x 10″W x 8″D
Edition of 30

Price:
$2,600

Scott’s Piece Description

Read the title again…..”The Stolen Bracelet”. Now pause for a moment and look again at the image of the sculpture. Notice your mind…..where did it go with that title?”

Had you noticed the jewelry on the floor in front of her? Did you go into judgment of character because she was nude or bathing? What of ‘possibility’? Was the bracelet perhaps stolen and given to her as a gift? Did she steal it? Was it stolen…discarded….and randomly found by her – she being unaware of its history?

Note: As I sculpted this piece, out of the blue, the idea came to put a bracelet on the floor in front of the woman bathing. Immediately…the words “The Stolen Bracelet” flashed into my mind. I told the model of my insight and she said, “I love it”. I marvel in the power of a great title that presses the mind.

Curator Review

At first glance, The Stolen Bracelet appears to be a private moment of bathing—natural, tender, and unguarded. But as the title beckons, the narrative shifts. A bracelet lies subtly at her feet, inviting the viewer to question everything they assumed. Did she take it? Was it a gift from someone who did? Or was it discovered by chance, its history unknown to her?

Scott Rogers masterfully uses ambiguity as a sculptural tool, much like Rodin wielded unfinished forms to stir emotion. The subject’s posture is modest yet unashamed, suggesting innocence rather than guilt. Her downward gaze and gentle hand gesture speak more to self-care than secrecy, more to ritual than theft.

This piece is less about the act and more about the story we create in its absence. Rogers invites us into the moment after—the mystery, the implication, the moral tug-of-war. The power of this sculpture lies not just in form, but in suggestion. By naming it The Stolen Bracelet, the artist hands us the final sculpting tool: imagination.

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