Artwork > All Sculptures, Native Americans, Women > The Wedding Blanket
The Wedding Blanket
Specifications:
20″H x 13 1/2″W x 9 3/4″D
Edition of 30
Price:
$5,600
Scott’s Piece Description
This couple, from the Cheyenne Nation, have just been wed, and are being presented as husband and wife to their tribe.
A common nuptial tradition found among Native Americans is to place a ‘wedding blanket’ around an honored couple. This ceremony varies greatly from tribe to tribe. It was either the officiator of the ceremony (chief / shaman) or the wedded couple’s family that placed the blanket on the husband and wife. It was taboo for a wedding blanket to touch the ground before or during the ceremony, that is why I placed a buffalo hide underneath them to stand upon. It was the bride who carried the feather fan. At the feet of the couple is a wooden bowl with a sage bundle. Sage was used for smudging (smudging is when ‘with purposeful intent to cleanse and purify’ it was lit on fire and the resulting smoke was wafted up and around a person(s)).
In studying Native Americans, I learned how quickly most adopted the usefulness of items they encountered from others tribes and cultures, and how far trade goods traveled. This sculpture shows the couple wrapped in a Navajo blanket but with Cheyenne symbols of oneness, love and prosperity painted on the back. The groom is wearing a shirt, vest and neckerchief of European style. The bride has on a traditional fringed buckskin dress with a concho belt (note: the conchos were often made from hammered silver dollars).
Curator Review
A timeless representation of unity and reverence, The Wedding Blanket captures a sacred Cheyenne marriage tradition with tenderness and grace. Two newlyweds stand enveloped in a shared Navajo blanket, a ceremonial gesture symbolizing their bond not just to each other but to their community. Rogers sculpts the moment with meticulous attention to detail: the feather fan held by the bride, the European-style attire worn by the groom, and the buffalo hide beneath their feet—a nod to the care taken to ensure the blanket never touches the ground.
The sculptural composition is stately and upright, invoking a sense of dignity. The blanket’s flowing silhouette gently merges two individuals into one form, an artistic reflection of marital unity. Rogers’ handling of texture—from the softness of buckskin fringe to the sturdy folds of wool—elevates this piece beyond ethnographic representation to an expression of reverence for Native traditions. The sage bundle at their feet quietly reinforces themes of purity and spiritual intention.
Rogers’ ability to blend narrative with design—without losing sculptural clarity—is a testament to his respect for both form and meaning.
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